By Anton Chekhov
Considered one of many maximum dramatists of all time, Anton Chekhov begun his literary occupation as a criminal offense and secret author. Scattered all through periodicals and literary journals from 1880-1890, those early mental suspense tales offer a clean inspect Chekhov’s literary history and his adolescence as a author. In tales like "A evening within the Cemetery," "Night of Horror," and "Murder," not just will Chekhov’s darkish humor and twisted crimes fulfill even the main hardboiled of poser enthusiasts, readers will back savor the penetrating, absurdist perception into the human that basically Chekhov can convey. if it is the dying of a tender novice playwright by the hands of an editor who hates undesirable writing, or a drunken civil servant who finally ends up trapped in a graveyard, those tales overflow with the unforgettable characters and distinct sensibility that proceed to make Chekhov the most interesting figures in literature.
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Additional resources for A Night in the Cemetery: And Other Stories of Crime and Suspense
The racist murder of Stephen Lawrence in the same year, and evidence of institutional racism in the police (mis)handling of the case (Macpherson, 1999; see also Chapters 5 and 10 in this volume), intensified interest in race and racism and their connection with ‘crime and victimization’, ‘law and order’, ‘policing and criminal justice’ (McLaughlin and Murji, 2001; Cottle, 2005). The sexually-motivated abduction and murder of 8-year-old Sarah Payne in the summer of 2000 by a convicted paedophile crystallized fears around the image of the predatory child sex offender and fuelled debate on ‘risk and dangerousness’, ‘surveillance and control’, and the suitability of new legislation, to be called Sarah’s Law, allowing limited public notification regarding the whereabouts of convicted sex offenders in the community (Silverman and Wilson, 2002; Evans, 2003).
At the other extreme, those crime victims who never acquire legitimate victim status or, still worse, are perceived as ‘undeserving victims’ may receive little, if any, media attention, and pass virtually unnoticed in the wider social world. qxd 10/23/2007 5:20 PM Page 23 NEWS MEDIA, VICTIMS AND CRIME Ideal victims a person or category of individuals who – when hit by crime – most readily are given the complete and legitimate status of being a victim, including those who are perceived as vulnerable, defenceless, innocent and worthy of sympathy and compassion.
This association has more recently extended to Asian youth (Alexander, 2000). Once perceived as more likely to fall victim to street violence than perpetrate it (Muncie, 2004), participation in events such as the anti-Rushdie protests of 1989 and demonstrations against the first and second Gulf Wars have resulted in an intensified media interest in potential Asian criminality. An Independent article in 1995, warning of ‘an Asian crime “timebomb”, cautioned that ‘the country is on the verge of an outbreak of disorder caused by Asians … which could shatter the belief that Asians are more law-abiding than white or black people’.