Albrecht Durer: A Guide to Research (Garland Reference by Jane Hutchison, Jane Campbell Hutchison

Albrecht Durer: A Guide to Research (Garland Reference by Jane Hutchison, Jane Campbell Hutchison

By Jane Hutchison, Jane Campbell Hutchison

Hutchison's ebook is a whole consultant on Durer and the study on his paintings, his old import and his aesthetic legacy.

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Premetric measurements (in pouces and lignes). States ANNOTATED BIBLIOGRAPHY 35 described. Includes sixty-two doubtful and thirty-two rejected prints. (See also modern English edition edited by Walter L. ) 53. Basel, Kunstmuseum. Lucas Cranach: Gemälde, Zeichnungen, Druckgraphik, passim. Dieter Koepplin, and Tilman Falk. 2 vols. Stuttgart and Basel: Birkhäuser Verlag, 1974. Also contains articles by Kristin Buhler-Oppenheim, Helmut Borsch-Supan and Werner Schade. The catalogue of the large (660 works) Cranach five hundredth anniversary exhibition held in Basel June 15—September 8, 1974, featuring works by the entire Cranach workshop and comparative items by Dürer and others.

The drawings have been returned to the German Embassy in Moscow, but at the time of writing have still been barred by the Russian government from leaving the country. 8. Allihn, Max. “Dürer-Studien. ” Leipzig: Rudolf Weigel, 1871. An early iconographic study of a selection of the artist’s prints which the author deemed most difficult to understand: that is, The Large Fortune (pp. 9– 38); the Four Nude Women and the Witches (pp. 39–56); the Offer of Love, the Woman on Horseback, and Envy (pp. 57–78); the prints dealing with peasants, including the Dancing Peasants and Bagpiper (pp.

Jahrbuch der Berliner Museen 27 (1985):35–39. Developed from the conference, Engraving Before Dürer, held at the Goethe Institute in Paris in 1982. Discusses the work of Wolfgang Beurer (whom some equate with the Housebook Master and/or the Master WB); Anton Beurer; Lorenz Katzheimer (who may or may not have been the engraver LCz); Master WB; and the Master of the Herpin Manuscript. 26. ——. ” Jahrbuch der Berliner Museen 28 (1986):67–73. Discusses a privately owned and previously unpublished drawing by Dürer.

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